The Restorative Powers of John McVie

My parents’ musical tastes have always been a big influence on me, and one album stands out as having a particularly unique taste and texture, Fleetwood Mac’s Rumours.

This is an album every household in America should own, and probably does. There are a lot of good lessons in love on it. Specifically, Dreams (right click to save as…) has always had a power all its own in times of turmoil. And as I am this weekend experiencing the death of yet another small dream, I was led back to it by Cameron Crowe, in an article in the 1,000th issue of Rolling Stone[1]. I found myself admiring John McVie’s bassline, which takes only a few minutes to learn but a lifetime to master. The lesson that this two-note bassline teaches is that throughout all the dynamics, the “thunder” and lightning of the chorus, it remains almost completely unchanged. Life’s rhythm goes on. With those two notes, the entire song is anchored, and only during a brief guitar interlude does it alter its path. I couldn’t stop playing along with it this morning. It’s such a magical song; it reminds me of why I got into this music thing and it helps me to remember that women, they will come and they will go.

1.) Yes I’m a subscriber again, but only because it was a free gift.

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